![]() ![]() Hell Hound on My Trail – Robert Johnson (1937):.Hmm, maybe the advent of recording disproportionately opened things up looser-strung, lower-ranged singers?) As with Open E / A, I suspect it enjoyed wider use in the pre-microphone era, when guitarists had more incentive to wind as tight as possible to maximise volume and clarity. Check out more of these old blues tunes in Weenie Campbell’s Adventures in Cross-Note listings). Employed by several pioneering Delta bluesmen, particularly those of the Skip James-inclined ‘ Bentonia’ school (see my writeup for Open Dm ).Īlso Robert Johnson, who drew direct inspiration from James’ Devil Got My Woman and Yola My Blues Away for his haunting, high-wailing slide classic Hell Hound on My Trail (n.b. Online Lessons! Searching for altered-tuned inspiration? Looking to uncover higher levels of technique, expression, and creative purpose? intensify your six-string imagination with global musical ideas…Īppears to be relatively uncommon compared to its Dm transposition (although some of this sparsity may be down to how hard it is to distinguish by sound from the similarly E-minor’d resonance of EADGBE ). ![]() Ideal for odd-set chord sequences supported by droning open strings – as well as for giving a fresh twist on any of your existing E-rooted vocabulary. Like the major ‘ Vestapol ‘ family, it offers broad vertical possibilities ( parallel octaves on 6+4+1str and 5+2str), and fluid harmonic facilities (plentiful voicings and inversions available on 4-3-2-1str).Īlso allows you to import a large chunk of EADGBE ’s melodic familiarity, by keeping 3-2-1str separated by the same intervals ( maj 3rd > perf. Like Open Dm, it represents a logical place from which to access more abstruse zones of altered tuning – lying just one quick twist from (+2 transpositions of) layouts including DADGAD (3str +2), Only Shallow (3str -1), and Ghost Reveries (1str +2). ‘0-0-0-1-0-0’) – but nevertheless, remains rarer than its major counterpart ( Open E ). you can easily ‘cross over’ to playing in Emaj: e.g. Offers easy ‘ cross-note ’ possibilities (i.e. Best suited to the lighter strings of electric guitars, due to the high wind required on 4+3str. Takes the same interval pattern as Open Dm, raised two semitones higher: thus mirroring the exact note sequence of our familiar ‘0-2-2-0-0-0’ Emin chord from Standard (…as if you’d tuned to its notes rather than fretting them). ![]()
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